Breathtaking dance between actress Natalie Portman and Darren Aronofsky's camera at the opening of the film Black Swan and has to stops spinning for an hour and a half.
The complexity does not come from this pas de deux, but rather schizophrenic delusions created by the filmmaker with one interpreter who must both be White Swan, gentle, timid, and Black Swan, mesmerizing, domineering .
Ah! the border is so thin between evil and good, all the minor characters gets stuck in some I find grotesque.
In my memory, the director of "Requiem for a Dream " had a penchant for flesh acute fragmented, torn, bloody, it is not surprising that he examined the body and dancing his suffering, but here is the dance version of "steak tips in!
The flesh is not saved to symbolize the metamorphosis obvious girl to woman, to delusions of sexual fantasies or not, which I have struggled to imagine that they belonged to the character.
A kind of mismatch between the stellar performance of the actress who made her body as dry, muscular and dancing in just one year, and psychotic delusions Aronofsky ... at least I do not adhere not, but it's interesting to see how the theme of the double can be represented and how I would not represent him!
I exchanged a few words with Yvan about this film, his enthusiasm me had won to go and see it done. I too do not condone this "genre" film, like I can not stand the films of Lars Von Trier who seem to worship the systematic representation of the "evil" dominant and victorious against all humanity.
I recognize, however, their talent and audacity on the treatment, and staging as "unbelievable" ... But it pleases others, for my part I can not fit more in this kind of movies without leaving
vomiting.
To each his crusade ...
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